- cypherpunks-legacy - lists.cpunks.org

iwanttobeamenbership
by anis a hajji 26 Jun '01

26 Jun '01

my name is foued iwant to be menbership and iwant to pay by monym order

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Play BlackJack Online Now!!!
by knedsexn＠emailisfun.com 26 Jun '01

26 Jun '01

1 0

Crucial facts on life
by Berk Turkcan 25 Jun '01

25 Jun '01

Dear Professor, I am a student who is attending Yeditepe University in Turkey. I would like to have your ideas on a very crucial point of science, which I describe briefly below. I am working on this subject as a project and will be privileged to hear your interpretations on the following questions: 1. The light coming from an object is transformed into electrical signals by the cells in the eye and then transmitted to the center of vision in the brain. And the electrical signals there are turned into an image. For example you actually see this message in your brain. Then who is the one that sees and perceives the image of this message in the brain? How do you define the consciousness that can see this image in the brain without the need of an eye? 2. Brain is a piece of flesh composed of lipids, proteins and other various molecules. Could the consciousness that sees this image be this piece of flesh? Or could the brain cells make up a consciousness that sees these electrical signals as a sea view or an e-mail message? 3. No light penetrates the skull, which means the brain is entirely in darkness. Then how does such an illuminated, clear image is formed in this pitch-dark place? For instance how are the rays of the sun seen over the unlit brain cortex? 4. Also no sound enters the brain. This means there is deep muteness where the brain exists. However, people listen to all different sounds inside the brain. The sound waves are turned into electrical signals inside of the ear and then transmitted to the center of hearing. And the consciousness inside the brain listens to these for instance as a melody. Then who is it that listens to the loud music aired from powerful loudspeakers and how? 5. The image is formed inside a miniature spot in the brain. Then how is the three-dimensional image with depth is formed on this diminutive screen? For instance when I look at the horizon or the sky, how is such an image with vast depth is formed at this tiny spot of center of vision just as identical to its original with the same depth and sense of distance? What is it that gives me the feeling of distance and space? 6. When a person sees a glass of water, in fact he does not see its real form but only a copy of it in his brain. The coldness that he feels when touching the glass surface is not the real coldness of the glass but only a copy of it. This means nobody is ever able to feel that he touches the real glass. Since it is not his fingers that feel the sense of touch, but merely the sense of touch in the brain. Should we not in this case conclude that people are never able to reach the reality of objects and can never touch the reality of a glass? But not every person knows this fact. Everyone thinks they touch and see real objects. Is it not strange that people are not aware of this and they never think about this? 7. Nothing changes when a person is hit by a bus or comes across a lion. Since, just like the image of the bus, the sense of collision or the fear while running away from a lion, all form in the brain. When I see a bus, I see it at the center of vision inside my brain. If I go and hold the door of the bus, I feel the coldness of the metal inside my brain. Then I cannot discriminate from this fact what happens when I feel pain if a bus hits or a lion bites. Then is it not very illogical when people say �it shows I am in contact with the bus or the lion because I feel pain when the bus hits or the lion bites�? 8. We live the entire period of our lives inside our brains. In a similar way, we also have dreams in our brain. For instance when we touch a piece of ice in our dream, we feel it is wet and cold. Or, when we smell a rose, we get the wonderful scent of it. We again sense the feelings of fear, pain, anxiety and panic in a similar fashion. Then are the dreams and the real life the same in this sense? 9. The person�s own body is also included in the images a person see. So, a person only sees the copy of his own body. This means every person all through his life lives in the cave in his skull where he never knows what is outside, including his own body and other objects. Now think over this happening once more: Right now are you inside of the room you are present or is the room inside of you? Isn�t the second alternative the right answer scientifically? 10. Let us imagine 5 different people who look at a garden of roses. Since every one of these people see the rose garden in his own brain, then aren�t there 5 different rose gardens in the brains of every one of the 5 people? Is the color red that each one sees the same with the other�s perception of red? Would there be any possibility to compare these? 11. We say that the original objects we see the copies of in our brain exist outside, but what if nothing exists outside? Because we never have the ability to test this or observe this. Then is it not dubious that the original objects are outside? At least there is a 50-50 percent possibility. Then how can we be sure that the original objects are outside? If there is no original object outside, then what is the entity that makes the images and the senses in our brain? 12. If we are living an illusion that has the possibility of not having any reality outside, then we may be existing in a very different place. For instance is it not possible for the entire humanity to exist right over a piece of crystal? Or is it not possible that the complete history of humanity has been experienced in a place not bigger than the head of a pin? Would there be anything to stop us thinking in such a broad extent? 13. Some people are incredibly afraid when these topics are discussed? What do you think the reason for this may be? Yours sincerely, Berk Turkcan May 8, 2001 __________________________________________________ Do You Yahoo!? Get personalized email addresses from Yahoo! Mail http://personal.mail.yahoo.com/

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Earth to Dopey
by mmotyka＠lsil.com 25 Jun '01

25 Jun '01

I was right the first time around, you're off in the tall grass, can't see where you're headed and seriously mistaken. I'm not a .coN web page author. I am getting very.seriously.pissed though. You've run square into the libel laws. I think my father-in-law still has Fed LE contacts in the US. I'll find you. Louis Cypher wrote: > I know a lot of people who care if someone is illegally reading email. > Ahhh, that could very well be, but I'm not one of them and what someone else does to YOUR email is of absolutely zero interest to me. > Having done a web site you should know that. > Sorry, you definitely have the wrong ID, never did a web site, find it entirely uninteresting. > Why do your ventures go BUST, Coupon Cloud.com, > You're way off in the tall grass, sonny. > because you are a loser and a thief, all you do is run > your mouth, but I would assume it is to be expected, being a FAG, I would > imagine it comes quit naturally. Been to the recycle bin lately loser, and > remember, take a good look around, no one can hear you scream. > See ya......... > You're very quick to assume and accuse based on bad research. It's gonna cost yuz. First in Court... > ps. lose the 95 machine > Not my PC, besides, what does it matter which insecure OS runs Netscape? Are you an elite genius because you put Linux or BSD on a PC? Golly, I'll bet it's twice as secure as Windows. Wow! Maybe someday I can learn how to do that!

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Surveillance Camera Players tour England
by NOT BORED! 25 Jun '01

25 Jun '01

http://www.notbored.org/8june01.html The Surveillance Camera Players tour England Between 8 and 18 June 2001, the Surveillance Camera Players (SCP) embarked upon an extended tour of England. Unlike Holland, which the SCP briefly visited in February 2000, England is filled with surveillance cameras. According to current estimates, there are over 1.5 million cameras (one for every 50 people) in operation. And there are plans to install even more, not just in London, but all over the country! Especially surveillance cameras that monitor automobile traffic (so-called "red light" cameras), which were being installed in every city the SCP visited: British politicians and police departments are absolutely crazy about them. Check out this recent photograph of the surveillance control room in the London borough of Newham to get an idea of what's going on. It's easy to see why this is happening. In addition to creating jobs and raising revenues, England's vast surveillance apparatus is very useful as a tool of politically motivated social control. For example: during the SCP's stay (on Monday 18 June 2001), the Evening Standard reported that the police had released pictures of six people "wanted in connection with serious offenses committed during the May Day riots." These very clear pictures of people's faces were "extracted from hundreds of hours of CCTV [closed-circuit television] and Metropolitan Police footage taken on the day." The paper went on to report that "police collected CCTV films from scores of shops and businesses located in and around Oxford Street and Tottenham Court Road, which were key meeting areas [note: not the locations where the serious offenses were allegedly committed] for the anti-capitalist protests." Arranged by e-mail in the months preceding the group's departure, the SCP's tour of England stopped in Bath, Bristol, Manchester and London. The group came prepared to perform five different plays: It's OK, Officer, which is designed to be performed by a mobile group of 3 to 7 people; We know you are watching: MIND YOUR OWN BUSINESS!, which can performed by 1 or 2 people who either remain stationary or travel around; God's Eyes Here on Earth, which is designed to be performed at churches or cathedrals only and by a group of 3 or more people; and two adaptations -- George Orwell's Animal Farm and Edgar Allan Poe's The Mask of the Red Death -- that require costumes, pre-planned movements and adequate time for rehearsal. Both Animal Farm and The Mask of the Red Death had been updated for the occasion. To comment upon the slaughter of over 6 million British animals, supposedly done in order to combat the spread of hoof-and-mouth and "mad cow disease," Animal Farm had been given a brand-new board. On it, a "cash cow," which is being strangled by a man wearing a tag that says "Agri-business," calls out, "Now I'm really mad!" And The Mask of the Red Death had been altered so that its reference to face recognition software wasn't limited to a specific company that manufacturers it. Unfortunately, neither the Orwell nor the Poe were performed in England. There was never time to bring together and rehearse with a sufficient number of players. Due to the high cost of traveling to England in the summer, the only members of the New York SCP who were able to go were Susan, Miranda and Bill. (In London, the group was augmented by Kimberly, who's now living in England.) Both adaptations require at least five performers to work. Bath is a very beautiful Roman town that has become a godawful tourist trap. During the afternoon of Saturday, 9 June 2001 -- that is to say, in the midst of "The Bath Fringe Festival" -- the SCP performed two plays: It's OK, Officer, which was presented to the three police surveillance cameras that are installed along Walcot Street, and God's Eyes Here on Earth, which was presented to the police surveillance camera installed in the courtyard at the front of Abbey Church. Both performances were videotaped for Network of the World by Roddy Mansfield, who also taped an extended interview segment with the group. Roddy also informed the SCP about a device called Cypher, which is a small, remote-controlled, unmanned flying saucer. Designed to fly into hostile territories and engage in video surveillance, Cypher can also be used to deliver up to 50 kilograms of tear-gas and other "non-lethal" weapons. During the first set of performances, the SCP were treated to a spectacle that they'd only seen once in their native country, namely, the weird sight of a surveillance camera catching sight of, turning to watch and, no doubt, zooming in on and videotaping one of their performances. This happened at both the first and the second surveillance cameras that the SCP visited as the group slowly made its way down Walcot Street. But, by the time the SCP reached the third and final surveillance camera, the officer assigned to watch the monitors had seen enough, and didn't want to see any more. And so, every time the SCP tried to position itself so that its performance could be seen by the surveillance camera, the officer turned the camera away and pointed it at something else! Absolutely delighted at the demonstrable results of their efforts, the SCP played "cat and mouse" with the officer for a little while, and then went off to prepare for their second performance of the day. Something of an anti-climax, the SCP's performance of God's Eyes Here on Earth at the Abbey Church went well but didn't produce a strong reaction, at least when compared with the reactions the SCP get when they perform the play in front of St. Patrick's Cathedral in New York. A security guard came out of the church to see what has going on, and he used his walkie-talkie to speak to someone, but nothing came of it. A lot of tourists from Japan, Germany and America took photographs and shot video of the performance. Except for four grey-haired Germans, who laughed out loud, slapped their thighs and gave the thumbs-up sign of approval, most of the tourists looked at and/or photographed the SCP's performance out of a sense of obligation, not because they were provoked or stimulated by the sight of a group of people, taking turns to get down on their knees and pray to a surveillance camera as if it were a sacred object or God. During the evening of Saturday, 9 June 2001, the SCP traveled from Bath to the nearby city of Bristol. With the help of Ian and Ben, the SCP ate a nice dinner and found its way to The Cube, an alternative film theater run entirely by volunteers. Sitting in the audience, the members of the SCP saw several superb video documentaries, including The Battle of the Beanfield and a few others that concerned violent police repression of efforts to hold Druid celebrations at Stonehedge during the Summer Solstice. After the main programme was over, the SCP showed one of its videotapes (the group's performance of Orwell's 1984), gave an informal talk that was ever-so-slightly affected in an adverse fashion by jet-lag and excessive alcohol consumption, and gamely tried to answer questions from the audience. Fortunately, those in attendance -- among them such worthies as Tony and Hogge and Heath -- were a tolerant lot, and so the evening passed very pleasantly indeed. The SCP were back in Bath for the afternoon of Sunday, 10 June 2001. In the midst of "National Walcot Day," the group once again performed It's OK, Officer directly in front of the three surveillance cameras that are installed along Walcot Street. Videotaped by Ben of I-Contact News, this series of performances was very well received by both the spectators and the other performers. A father of a six-year-old boy complained that more surveillance cameras in Bath meant more difficulty in getting his son to school without being spied upon. One of the MCs who was rapping along with heavy beats incorporated several of the SCP's slogans into his toast. On Monday, 11 June 2001, the SCP traveled up to Manchester. At 9 pm on Monday evening, the SCP gave a lengthy presentation at The Okasional Cafe, a squatted social center at 62 Charles Street. Very well received by the audience, the presentation included a detailed history of the group, a screening of the group's performance of Orwell's 1984, and an exploration of the various levels at which a typical SCP performance operates (as a denunication of surveillance; as a statement in favor of privacy; as a reclamation of public space; as an anarchist critique of politics; as a situationist critique of performance art; as a combination of politics and art; as a parody of confessing one's sins to a priest; and as forms of social experimentation and personal growth). To commemorate the European Parliament's recently released report on Echelon, the SCP also gave a spirited reading of the rather lengthy list of American military entities that surveill the group's web site. At the end of the presentation, the SCP announced that they were available to both perform with local activists and help make maps of camera locations in Manchester. During the early afternoon of Tuesday, 12 June 2001, the SCP assisted three local residents (Adele, Alex and Jay) in the time-consuming task of mapping camera locations in Manchester. Within a relatively small area, the group counted a total of 139 surveillance cameras. If these figures are correct, then the per-block density of cameras in Manchester is almost twice that in Manhattan. At 4 pm on Tuesday, 12 June 2001, the SCP returned to the Okasional Cafe and prepared to perform It's OK, Officer. Inspired by the SCP's presentation the previous evening, and by the fact that their squat is watched by two different surveillance cameras, several people -- including Stacy, Jay, Ruth, Norm and Alex -- took part in the peripatetic performance. Substantially enriched by the use of hats, umbrellas, masks and other props, the performance began as soon as the group exited the squat at 5 pm, and continued until 7:30 pm, when the troupe finally returned home. It seems that during the performance, the squat was visited by several people who looked exactly like police detectives. At 9 pm on Tuesday, 12 June 2001, the SCP gave a second presentation at the Okasional Cafe. In part because the group didn't want to repeat itself, and in part because relatively few people showed up, the SCP concentrated on showing videotapes and didn't say very much. Thanks to Adele, who converted the SCP's compilation tape from NTSC to PAL, the group was able to show tapes of several of its performances, and not just 1984. And yet, as far as the audience was concerned, the SCP still talked too much! Drunk punks ("pissheads") in the audience heckled and even interrupted the SCP's reading of the list of military entities that monitor its web site. "What's this got to do with me?" seemed to be their question. "I don't have a computer." The SCP tried to explain that ownership or even use of a computer wasn't the point, and that high-speed, Echelon-type military technology would soon be used in the surveillance cameras that monitor Manchester's streets. The point wasn't taken, and the heckling continued. Very displeased with the way things were turning out -- problems such as these had been occurring more and more frequently in recent days -- the organizers of the event decided to shut the doors early. The next day, they decided to close the squat for a few months and re-open it in the fall. On Wednesday, 13 June 2001, the SCP traveled from Manchester to London, where the group stayed for the remainder of its tour. At approximately 9 pm on Wednesday, the members of the SCP visited the studios of Ninja Tune Headquarters in Kennington and were guests on the "pirate TV show" hosted by DJ Coldcut (Matt and Mike). Long-time SCP admirer and local activist Bongo was also in attendance. With help from Bill's friend Jason, the SCP (Kimberly included) held up pieces of paper that bore upon them such familiar slogans as "We know you are watching," "Mind your own business" and "Who watches the watchers?" The group also performed God's Eyes Here on Earth and screened several of its videotapes. Though the SCP's appearance on the show was thrown together at the very last minute, it came off rather well, thanks to the creativity, resourcefulness and technical expertise of Matt and Mike. Between 10 am and noon on Thursday, 14 June 2001, the SCP (minus Kimberly) visited the studios of News of the World, a British satellite-based TV show that airs in China, Indonesia and Australia. Though Bill was the only member of the SCP scheduled to be interviewed, both Miranda and Susan came along. On the way to the TV studio, a group of construction workers saw the SCP (a group of people dressed all in black and carrying large placards) and in a marvelously amicable and respectful way inquired, "Wot are we protesting today?" (The answer was "Nothing, and everything.") Before the interview took place, the SCP got a chance to catch a glimpse of the footage that Roddy Mansfield shot in Bath: it looked quite good. The interview itself, however, was something of a disappointment. Though Bill was told he might have the opportunity to debate the merits of surveillance cameras with a British policeman, no debate took place. Instead, the interviewers posed a few questions to the two guests, who didn't get a chance to speak to each other directly on camera. Everyone in the SCP noticed that the questions posed to the policeman (a Superintendent Morris) were far more confrontational and difficult than the questions that were posed to Bill. Though the show will certainly be very favorable towards the SCP, the group would have liked a more level "playing field," especially since Morris was a decent, thoughtful man who was not unconditionally in favor of the use of surveillance cameras in public places. (For example, he noted that one could never be sure that the occurrence of fewer speeding violations could reasonably be attributed to the installation of surveillance cameras, and not something like the weather.) Over lunch on Thursday, 14 June 2001, the SCP (minus Kimberly) was interviewed by Megan, a reporter from a London-based magazine called YearZero. Between 6 pm and 8 pm on Friday, 15 June 2001, the SCP (Kimberly included) performed It's OK, Officer along London's Oxford Street, a posh street completely given over to the sale of commodities. This performance was photographed by both Megan and the police officers who monitor the feeds coming from "their" surveillance cameras. At precisely 7 pm, at the corner of Duke Street and Oxford Street, one of these cameras swiveled around, pointed directly at the performers, and followed them when they moved on. The same thing happened at precisely 7:13 pm, at the corner of Portman Street and Oxford Street. In part because the SCP didn't use costumes, which keep the mood light, and in part because there are many more surveillance cameras operating in public in London than in Manchester, the London performance of It's OK, Officer was far more serious than the one the SCP gave in Manchester on Tuesday, 12 June 2001. Without planning to do so, Bill, at the front of the line of walking performers, found himself concluding his part of the performance by giving each surveillance camera the group encountered a Nazi-style salute. Like the others in the line, he was strongly affected by the gesture. As for the passers-by who saw the performance, their reactions were generally very favorable. Between 1 pm and 4 pm on Saturday, 16 June 2001, the SCP (Kimberly included) participated in a rain-soaked but still very large rally and march in favor of the de-criminalization of possessing, growing and/or using marijuana. Along with tens of thousands of people, the SCP rallied in Kennington Park and then marched en masse to Brockwell Park in Brixton. At all times, a police helicopter hovered overhead, taking pictures. Holding aloft the two boards that make up We know you are watching: MIND YOUR OWN BUSINESS!, the SCP were a very big hit with both the other marchers and the police. At three different times and places -- 2:10 pm, at the corner of Atlantic Avenue and Dordell Street; 2:10 pm, at the corner of Brighton Terrrace and Atlantic Avenue, and 2:30 pm, at the corner of Windrush Square and Effra Road -- the SCP was rather obviously watched and videotaped by a surveillance camera. At noon on Sunday, 17 June 2001, the SCP (Kimberly included) and Jason performed God's Eyes Here on Earth in front of St. Paul's Cathedral in London. Like the one at the Abbey Church in Bath, this performance was a disappointment. Few people were on hand to see it, and those who were on hand were mostly tourists. Mark from Reclaim the Streets was on hand and took pictures. ------------------------------------------------------------------------ Contact the Surveillance Camera Players By snail mail: SCP c/o NOT BORED! POB 1115, Stuyvesant Station, New York City 10009-9998 ************************************************************************** Subscribe to Freematt's Alerts: Pro-Individual Rights Issues Send a blank message to: freematt(a)coil.com with the words subscribe FA on the subject line. List is private and moderated (7-30 messages per week) Matthew Gaylor, (614) 313-5722 ICQ: 106212065 Archived at http://groups.yahoo.com/group/fa/ **************************************************************************

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Surveillance Camera Players tour England
by NOT BORED! 25 Jun '01

25 Jun '01

http://www.notbored.org/8june01.html The Surveillance Camera Players tour England Between 8 and 18 June 2001, the Surveillance Camera Players (SCP) embarked upon an extended tour of England. Unlike Holland, which the SCP briefly visited in February 2000, England is filled with surveillance cameras. According to current estimates, there are over 1.5 million cameras (one for every 50 people) in operation. And there are plans to install even more, not just in London, but all over the country! Especially surveillance cameras that monitor automobile traffic (so-called "red light" cameras), which were being installed in every city the SCP visited: British politicians and police departments are absolutely crazy about them. Check out this recent photograph of the surveillance control room in the London borough of Newham to get an idea of what's going on. It's easy to see why this is happening. In addition to creating jobs and raising revenues, England's vast surveillance apparatus is very useful as a tool of politically motivated social control. For example: during the SCP's stay (on Monday 18 June 2001), the Evening Standard reported that the police had released pictures of six people "wanted in connection with serious offenses committed during the May Day riots." These very clear pictures of people's faces were "extracted from hundreds of hours of CCTV [closed-circuit television] and Metropolitan Police footage taken on the day." The paper went on to report that "police collected CCTV films from scores of shops and businesses located in and around Oxford Street and Tottenham Court Road, which were key meeting areas [note: not the locations where the serious offenses were allegedly committed] for the anti-capitalist protests." Arranged by e-mail in the months preceding the group's departure, the SCP's tour of England stopped in Bath, Bristol, Manchester and London. The group came prepared to perform five different plays: It's OK, Officer, which is designed to be performed by a mobile group of 3 to 7 people; We know you are watching: MIND YOUR OWN BUSINESS!, which can performed by 1 or 2 people who either remain stationary or travel around; God's Eyes Here on Earth, which is designed to be performed at churches or cathedrals only and by a group of 3 or more people; and two adaptations -- George Orwell's Animal Farm and Edgar Allan Poe's The Mask of the Red Death -- that require costumes, pre-planned movements and adequate time for rehearsal. Both Animal Farm and The Mask of the Red Death had been updated for the occasion. To comment upon the slaughter of over 6 million British animals, supposedly done in order to combat the spread of hoof-and-mouth and "mad cow disease," Animal Farm had been given a brand-new board. On it, a "cash cow," which is being strangled by a man wearing a tag that says "Agri-business," calls out, "Now I'm really mad!" And The Mask of the Red Death had been altered so that its reference to face recognition software wasn't limited to a specific company that manufacturers it. Unfortunately, neither the Orwell nor the Poe were performed in England. There was never time to bring together and rehearse with a sufficient number of players. Due to the high cost of traveling to England in the summer, the only members of the New York SCP who were able to go were Susan, Miranda and Bill. (In London, the group was augmented by Kimberly, who's now living in England.) Both adaptations require at least five performers to work. Bath is a very beautiful Roman town that has become a godawful tourist trap. During the afternoon of Saturday, 9 June 2001 -- that is to say, in the midst of "The Bath Fringe Festival" -- the SCP performed two plays: It's OK, Officer, which was presented to the three police surveillance cameras that are installed along Walcot Street, and God's Eyes Here on Earth, which was presented to the police surveillance camera installed in the courtyard at the front of Abbey Church. Both performances were videotaped for Network of the World by Roddy Mansfield, who also taped an extended interview segment with the group. Roddy also informed the SCP about a device called Cypher, which is a small, remote-controlled, unmanned flying saucer. Designed to fly into hostile territories and engage in video surveillance, Cypher can also be used to deliver up to 50 kilograms of tear-gas and other "non-lethal" weapons. During the first set of performances, the SCP were treated to a spectacle that they'd only seen once in their native country, namely, the weird sight of a surveillance camera catching sight of, turning to watch and, no doubt, zooming in on and videotaping one of their performances. This happened at both the first and the second surveillance cameras that the SCP visited as the group slowly made its way down Walcot Street. But, by the time the SCP reached the third and final surveillance camera, the officer assigned to watch the monitors had seen enough, and didn't want to see any more. And so, every time the SCP tried to position itself so that its performance could be seen by the surveillance camera, the officer turned the camera away and pointed it at something else! Absolutely delighted at the demonstrable results of their efforts, the SCP played "cat and mouse" with the officer for a little while, and then went off to prepare for their second performance of the day. Something of an anti-climax, the SCP's performance of God's Eyes Here on Earth at the Abbey Church went well but didn't produce a strong reaction, at least when compared with the reactions the SCP get when they perform the play in front of St. Patrick's Cathedral in New York. A security guard came out of the church to see what has going on, and he used his walkie-talkie to speak to someone, but nothing came of it. A lot of tourists from Japan, Germany and America took photographs and shot video of the performance. Except for four grey-haired Germans, who laughed out loud, slapped their thighs and gave the thumbs-up sign of approval, most of the tourists looked at and/or photographed the SCP's performance out of a sense of obligation, not because they were provoked or stimulated by the sight of a group of people, taking turns to get down on their knees and pray to a surveillance camera as if it were a sacred object or God. During the evening of Saturday, 9 June 2001, the SCP traveled from Bath to the nearby city of Bristol. With the help of Ian and Ben, the SCP ate a nice dinner and found its way to The Cube, an alternative film theater run entirely by volunteers. Sitting in the audience, the members of the SCP saw several superb video documentaries, including The Battle of the Beanfield and a few others that concerned violent police repression of efforts to hold Druid celebrations at Stonehedge during the Summer Solstice. After the main programme was over, the SCP showed one of its videotapes (the group's performance of Orwell's 1984), gave an informal talk that was ever-so-slightly affected in an adverse fashion by jet-lag and excessive alcohol consumption, and gamely tried to answer questions from the audience. Fortunately, those in attendance -- among them such worthies as Tony and Hogge and Heath -- were a tolerant lot, and so the evening passed very pleasantly indeed. The SCP were back in Bath for the afternoon of Sunday, 10 June 2001. In the midst of "National Walcot Day," the group once again performed It's OK, Officer directly in front of the three surveillance cameras that are installed along Walcot Street. Videotaped by Ben of I-Contact News, this series of performances was very well received by both the spectators and the other performers. A father of a six-year-old boy complained that more surveillance cameras in Bath meant more difficulty in getting his son to school without being spied upon. One of the MCs who was rapping along with heavy beats incorporated several of the SCP's slogans into his toast. On Monday, 11 June 2001, the SCP traveled up to Manchester. At 9 pm on Monday evening, the SCP gave a lengthy presentation at The Okasional Cafe, a squatted social center at 62 Charles Street. Very well received by the audience, the presentation included a detailed history of the group, a screening of the group's performance of Orwell's 1984, and an exploration of the various levels at which a typical SCP performance operates (as a denunication of surveillance; as a statement in favor of privacy; as a reclamation of public space; as an anarchist critique of politics; as a situationist critique of performance art; as a combination of politics and art; as a parody of confessing one's sins to a priest; and as forms of social experimentation and personal growth). To commemorate the European Parliament's recently released report on Echelon, the SCP also gave a spirited reading of the rather lengthy list of American military entities that surveill the group's web site. At the end of the presentation, the SCP announced that they were available to both perform with local activists and help make maps of camera locations in Manchester. During the early afternoon of Tuesday, 12 June 2001, the SCP assisted three local residents (Adele, Alex and Jay) in the time-consuming task of mapping camera locations in Manchester. Within a relatively small area, the group counted a total of 139 surveillance cameras. If these figures are correct, then the per-block density of cameras in Manchester is almost twice that in Manhattan. At 4 pm on Tuesday, 12 June 2001, the SCP returned to the Okasional Cafe and prepared to perform It's OK, Officer. Inspired by the SCP's presentation the previous evening, and by the fact that their squat is watched by two different surveillance cameras, several people -- including Stacy, Jay, Ruth, Norm and Alex -- took part in the peripatetic performance. Substantially enriched by the use of hats, umbrellas, masks and other props, the performance began as soon as the group exited the squat at 5 pm, and continued until 7:30 pm, when the troupe finally returned home. It seems that during the performance, the squat was visited by several people who looked exactly like police detectives. At 9 pm on Tuesday, 12 June 2001, the SCP gave a second presentation at the Okasional Cafe. In part because the group didn't want to repeat itself, and in part because relatively few people showed up, the SCP concentrated on showing videotapes and didn't say very much. Thanks to Adele, who converted the SCP's compilation tape from NTSC to PAL, the group was able to show tapes of several of its performances, and not just 1984. And yet, as far as the audience was concerned, the SCP still talked too much! Drunk punks ("pissheads") in the audience heckled and even interrupted the SCP's reading of the list of military entities that monitor its web site. "What's this got to do with me?" seemed to be their question. "I don't have a computer." The SCP tried to explain that ownership or even use of a computer wasn't the point, and that high-speed, Echelon-type military technology would soon be used in the surveillance cameras that monitor Manchester's streets. The point wasn't taken, and the heckling continued. Very displeased with the way things were turning out -- problems such as these had been occurring more and more frequently in recent days -- the organizers of the event decided to shut the doors early. The next day, they decided to close the squat for a few months and re-open it in the fall. On Wednesday, 13 June 2001, the SCP traveled from Manchester to London, where the group stayed for the remainder of its tour. At approximately 9 pm on Wednesday, the members of the SCP visited the studios of Ninja Tune Headquarters in Kennington and were guests on the "pirate TV show" hosted by DJ Coldcut (Matt and Mike). Long-time SCP admirer and local activist Bongo was also in attendance. With help from Bill's friend Jason, the SCP (Kimberly included) held up pieces of paper that bore upon them such familiar slogans as "We know you are watching," "Mind your own business" and "Who watches the watchers?" The group also performed God's Eyes Here on Earth and screened several of its videotapes. Though the SCP's appearance on the show was thrown together at the very last minute, it came off rather well, thanks to the creativity, resourcefulness and technical expertise of Matt and Mike. Between 10 am and noon on Thursday, 14 June 2001, the SCP (minus Kimberly) visited the studios of News of the World, a British satellite-based TV show that airs in China, Indonesia and Australia. Though Bill was the only member of the SCP scheduled to be interviewed, both Miranda and Susan came along. On the way to the TV studio, a group of construction workers saw the SCP (a group of people dressed all in black and carrying large placards) and in a marvelously amicable and respectful way inquired, "Wot are we protesting today?" (The answer was "Nothing, and everything.") Before the interview took place, the SCP got a chance to catch a glimpse of the footage that Roddy Mansfield shot in Bath: it looked quite good. The interview itself, however, was something of a disappointment. Though Bill was told he might have the opportunity to debate the merits of surveillance cameras with a British policeman, no debate took place. Instead, the interviewers posed a few questions to the two guests, who didn't get a chance to speak to each other directly on camera. Everyone in the SCP noticed that the questions posed to the policeman (a Superintendent Morris) were far more confrontational and difficult than the questions that were posed to Bill. Though the show will certainly be very favorable towards the SCP, the group would have liked a more level "playing field," especially since Morris was a decent, thoughtful man who was not unconditionally in favor of the use of surveillance cameras in public places. (For example, he noted that one could never be sure that the occurrence of fewer speeding violations could reasonably be attributed to the installation of surveillance cameras, and not something like the weather.) Over lunch on Thursday, 14 June 2001, the SCP (minus Kimberly) was interviewed by Megan, a reporter from a London-based magazine called YearZero. Between 6 pm and 8 pm on Friday, 15 June 2001, the SCP (Kimberly included) performed It's OK, Officer along London's Oxford Street, a posh street completely given over to the sale of commodities. This performance was photographed by both Megan and the police officers who monitor the feeds coming from "their" surveillance cameras. At precisely 7 pm, at the corner of Duke Street and Oxford Street, one of these cameras swiveled around, pointed directly at the performers, and followed them when they moved on. The same thing happened at precisely 7:13 pm, at the corner of Portman Street and Oxford Street. In part because the SCP didn't use costumes, which keep the mood light, and in part because there are many more surveillance cameras operating in public in London than in Manchester, the London performance of It's OK, Officer was far more serious than the one the SCP gave in Manchester on Tuesday, 12 June 2001. Without planning to do so, Bill, at the front of the line of walking performers, found himself concluding his part of the performance by giving each surveillance camera the group encountered a Nazi-style salute. Like the others in the line, he was strongly affected by the gesture. As for the passers-by who saw the performance, their reactions were generally very favorable. Between 1 pm and 4 pm on Saturday, 16 June 2001, the SCP (Kimberly included) participated in a rain-soaked but still very large rally and march in favor of the de-criminalization of possessing, growing and/or using marijuana. Along with tens of thousands of people, the SCP rallied in Kennington Park and then marched en masse to Brockwell Park in Brixton. At all times, a police helicopter hovered overhead, taking pictures. Holding aloft the two boards that make up We know you are watching: MIND YOUR OWN BUSINESS!, the SCP were a very big hit with both the other marchers and the police. At three different times and places -- 2:10 pm, at the corner of Atlantic Avenue and Dordell Street; 2:10 pm, at the corner of Brighton Terrrace and Atlantic Avenue, and 2:30 pm, at the corner of Windrush Square and Effra Road -- the SCP was rather obviously watched and videotaped by a surveillance camera. At noon on Sunday, 17 June 2001, the SCP (Kimberly included) and Jason performed God's Eyes Here on Earth in front of St. Paul's Cathedral in London. Like the one at the Abbey Church in Bath, this performance was a disappointment. Few people were on hand to see it, and those who were on hand were mostly tourists. Mark from Reclaim the Streets was on hand and took pictures. ------------------------------------------------------------------------ Contact the Surveillance Camera Players By snail mail: SCP c/o NOT BORED! POB 1115, Stuyvesant Station, New York City 10009-9998 ************************************************************************** Subscribe to Freematt's Alerts: Pro-Individual Rights Issues Send a blank message to: freematt(a)coil.com with the words subscribe FA on the subject line. List is private and moderated (7-30 messages per week) Matthew Gaylor, (614) 313-5722 ICQ: 106212065 Archived at http://groups.yahoo.com/group/fa/ **************************************************************************

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Boost Your Windows Reliability......
by tigger5981＠bugjuise.net 25 Jun '01

25 Jun '01

<html> <body> Dear Windows User, Now you can boost the reliability of ordinary Windows 95, 98 and ME to nearly the level of Windows NT or 2000, Microsoft's professional and industrial version of Windows. The new WinFix is a very effective way to improve the reliability of Windows, because it makes Windows fault-tolerant and self-repairing. And WinFix is very safe, because it operates completely independent of Windows. <a href="http://jhgf.crazycradle.com/">CLICK HERE</a> to find out more about WinFix, the safest, most effective way to keep you working, by keeping your PC working non-stop. Arlen Dixon, CEO Pinewood Software Marketing ------------------------------------------------------- This announcement is intended for PC users who asked to be kept informed about new developments in Windows technology. To be removed from future mailings, please reply with REMOVE in the subject line. </body> </html>

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publicite pour adultes:revesx
by nathalie 25 Jun '01

25 Jun '01

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Re: - keysigning protocol loopholes
by Len Sassaman 25 Jun '01

25 Jun '01

-----BEGIN PGP SIGNED MESSAGE----- Hash: SHA1 [John -- I've sent this to the cypherpunks list, and Bcc'd you.] On Mon, 25 Jun 2001, John wrote: > In various published keysigning protocols, I note that > there doesn't seem to be any step in the process where > we confirm that the person submitting a key to the > ksig-party-admin is actually the owner of the key. Actually, there is, at least in the protocol Phil and I worked out. (http://sion.quickie.net/keysigning.txt) I left this extremely vague. Step 8: "Identity verification is done in the normal manner." How identity verification is conducted is up to the signing organizers. And, of course, everyone should have a personal policy regarding key signing -- an individual CSP, so to speak. If, for instance, your policy requires that you view government-issued passports before signing keys, sign only those keys that belong to people who can produce government-issued passports. Others will not sign keys at all, believing that in doing so they would be making public information about themselves and their associations with other people that is best kept private. Not everyone participating in a group keysigning needs to have the same requirements for ID verification, and not everyone participating needs to actually sign others' keys. And there is the question of signing pseudonyms, of course. http://www.inet-one.com/cypherpunks/dir.1996.01.18-1996.01.24/msg00323.html PGP is a tool. A technical instrument. In specifying the keysigning method we developed, I opted to keep it removed from the politics and policy issues regarding keysigning. How you determine identity or if you even choose to sign keys was not interesting to me in that context. > If John Smith stands up and claims ownership of several > keys, it certainly creates an appearance that all of them > belong to the same person, and that each key's owner > was present at the keysigning party. So how would you prevent this? I can think of several easy ways, but I'll leave that as an exercise to the reader. You may wish to check the Cypherpunks mailing list archives for past discussions on PGP keysignings, and the issues/dangers involved. __ Len Sassaman Security Architect | Technology Consultant | "Let be be finale of seem." | http://sion.quickie.net | --Wallace Stevens -----BEGIN PGP SIGNATURE----- Comment: OpenPGP Encrypted Email Preferred. iD8DBQE7N4S+PYrxsgmsCmoRAnlJAKCjjSmTBvx3vW6RCHqiJ/OqwieCzACgylys yft/Jl2O4R55VFZC7HiesiM= =tKkZ -----END PGP SIGNATURE-----

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French need to be spanked by Nazis, hard
by John Doe #N 25 Jun '01

25 Jun '01

http://dailynews.yahoo.com/h/nm/20010622/wr/internet_hate_dc_2.html Friday June 22 1:32 PM ET Group Seeks Injunction to Block Racist Web Site By Catherine Bremer PARIS (Reuters) - A French anti-racism group is asking for an injunction to block access to a neo-Nazi U.S. Web portal, a move set to fuel a running debate about Internet controls. International Action for Justice (AIPJ), whose action comes amid transatlantic wrangling over a separate case against U.S. Internet service provider Yahoo! over xenophobic sites, wants France cut off from the U.S. ``Front14'' portal which acts as a free speech space for racists. Front 14's Web site, which carries the slogan ``online hate at its best,'' offers domain hosting, web animation and web marketing services for neo-Nazi organizations wanting to get onto the Internet. The site currently groups well over 400 racist Web sites and has scores more under construction, according to the AIPJ, which will seek the injunction in a Paris court on June 29. The debate pits those concerned about the proliferation of extreme material on the Internet against proponents of free speech and highlights the difficulties in applying national censorship laws to the Web. ``We are asking these national ISPs to prevent access to an address that is offering hosting and web services for illegal, neo-Nazi militant Web sites,'' said AIPJ's lawyer Stephane Lilti. ``We need to solve this problem. We cannot tolerate our laws being flouted by this site which acts like an incubator for nearly 500 neo-Nazi sites,'' he told Reuters, noting that some of the sites in question are based in France. AIPJ wants General Communication Inc., a U.S. Web site hosting company which carries front14.org, to be banned from offering access to the Web site to France-based Internet users. It also wants French ISP association AFA, whose members include all major French providers covering 87 percent of French Web users, to block access to the site. However, the AFA, which was not immediately available for comment Friday, has told the AIPJ it will not back its stand and argued that limiting access to Front14 would infringe on privacy rights as it would require controls on all Web users. Chicago-based General Communication was also unavailable for comment. The case comes amid an ongoing spat over a French lawsuit filed last year by barrister Charles Korman which resulted in a Paris court ordering Yahoo! to alter its American servers so that France-based Web surfers could not access Nazi-related material on the Internet. Yahoo! is still fighting the ruling. The Council of Europe is drafting the world's first treaty against cybercrime, a text due to be approved this month which could become a global standard to fight Internet crime. But the treaty has come under fire for being vague and Council deputies have expressed disappointment that there is no specific provision to make it illegal to spread racist propaganda and hate messages on the Web. ``Incitation to racial hatred is a crime and everybody knows that. And technically it is quite possible for ISPs to blacklist certain Web sites,'' Lilti said.

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