- cypherpunks - lists.cpunks.org

CMU Tor attack, subpoena, privacy expectation
by Michael Best 24 Feb '16

24 Feb '16

https://motherboard.vice.com/read/carnegie-mellon-university-attacked-tor-w… "Also, the reason for not providing any more info on the attack? Tor users can't expect privacy, apparently" picture quote: https://twitter.com/josephfcox/status/702500537204256769 -- Veritas aequitas liberabit vos Veri universum vici That 1 Archive <http://that1archive.neocities.org/> @NatSecGeek <https://twitter.com/NatSecGeek> -----BEGIN PGP PUBLIC KEY BLOCK----- Version: SKS 1.1.5 Comment: Hostname: pgp.mit.edu mQINBChG9zoBEADKzALG4UHCjY6L9OFUxWRVGGCW7LY71K2EAK/0jkRh1wPkJ4chPaVJ3vVD nJ0d8HxsyR5R3+y7GH6GCc/tK0IDPJah+xpQnraS1nWUvAlSaaxsBK4hJfuVGyfBg/joQVKU OhpqJLQhRIkUWk30QC94IbOKiCTb6V4pStLYyrLieewjT481vvRIYp/48IS5eiveZW0/IpcA HBON7xJw6P1murC8PNOJSWRCp9FJhcs3wIPG3cFTfsxSZnGcoivMgFLtGAfLbztpZkcHEMOR 4qamVvirzYGHma0UlOzyNr7xpxyLXFsU5kKzQ8Az2nP1GG7vuqXSjPNLIvvHFL+g+gKuCe9W xTa9Ac038RRSiBGdDrvTFpQ/h9h5GWIHP7nsA4TCeZSpL81aqp7Cb0MK3KPQmteTPIujVCnx jXXHrOe9Tj6iYUU8edApISyBEVFZMd+EtfDEDf/ZwDjzSGE85vv1dZ/ck7iJvS8FwM8hsRBG U9huCKiItGs26teUJ2Sum49YaEiDL4QLQhJ+FbsAusxJg+V3GE/4w75K/6/czT0p10Mf66Uo fRFTvYRE7S6CNDxzTI4q7+pnRlxMBduGC33KY4eq4Py/O3LWHBDxZ+LffIa/tWcB/7oZ6yDo bdWleNk5wnJdPGr6lUTHTM4tpDIEcXYpvjzyLcMtg4tFm/Dc0QARAQABtGVNaWNoYWVsIEJl c3QgKFByaXZhdGUsIG5vdCBzZWN1cmUuIEZvciBzZWN1cmUgZW1haWwsIHJlcXVlc3QgYSBv bmUtdGltZSBrZXkuKSA8dGhlbWlrZWJlc3RAZ21haWwuY29tPokCPQQTAQoAJwUCKEb3OgIb AwUJNXc1AAULCQgHAwUVCgkICwUWAgMBAAIeAQIXgAAKCRCiYH9hY4dAS3e+D/sFwyJER4/4 ZnHYC/1EzCpHeDikSmULEgsvNgzo73thOV9/Q2I8mCJTlQjsK4rZ2YiDzi4b0CN8kzjpxtVz BsBsxfyPLrdH4VoqeqeBVzbwHxSk7bYUI3vFt+e3gBgpAxbVfPXCnYUnWPRlr9dc/JZoPJH4 p8yRIqktehbAE3Fa3gkfrXJ5e6+/nKlQhikyvo9VuErrLpPMXBzOq4/2LVfurkcOzlp1RBjs hWr6B98EiOXs44ZGLEkINxJiW8koFhw/WDuON8LKi/DtLiqqtBVTjrkqKCuKzSAVncGGcEVO 3Om3aOIOvG0do/wQKYXnpbeGsHwx2PGrJ7H+lb2bIb5KhbZkbG4rMTjsVnuGN+IF4BxBhmGz MYoooWy4VCLL0o8keomU8JPXt+fZDqJ9sNjY/asTsjOa6aE3bIa6w3mWUeefGwA25oXur3Rr L3wmu1pPzCejumfA1X93dS9UZS3xni+7W34g6YbsREuaZ+YBxFLN227JXAx2pEdjLsuVOaqM 9CO7ARHsxDZoE9U7n0s3txnSw/2YYwjEK1wDhdLnHBL3ZzaAcaHnpzsTYQAVW7uXKKHhzeSK GP3O4ByCisM/7WLFvIIpaNNs85jI1PvKH0GutSTl9xXDfWuYMl9rwwbteBB/oGSxlIFe0pqq IDNfAJdR/HjTLqrTES2wdXJS1bkCDQQoRvc6ARAAmltXrhVfpePdIFrfEHCet4nkQvmRI+AX rUgiNlxQDW8M5FzlUfT2xpMXHMWuKehTYpFq7bNbFi+fwBhMajgvgDsTuLInftKSFp+sisbR n8psv7CpGB4jp0Xd4y1Wm/HejV/kga0kcUVVetaqyzgZedn1UnccQRzDBVWW2j2ed+hi/8g0 /d7mbVG81yzJo8tLidM90xFF7JGlijm0dBAqmhD4UgkxSnJQ3PK5onqdjdbx7HkP68RrkeTQ vhWK1978qzdSl9ljJ0jLnoAaDNPs5Dj/TyYCtqoKHUqMbTwU5nIQnJG7geMeSw/7OVnKlypF Rs/JesZzMBooZTRxZJuIB/q0wOfE/MYTwGSwLs2brUwJFJ6bSYmerZ+81S8W/Y4mehJ3o6Vl SabrrVN+LlBfUuRqd5U909WECzk6HVnwnRfL07zD+1y5cLU+e4MQs2227kLriTIxtDZ/umeG hKQgNgFGTAPHJxA96xGvQ8Ovv+XEivlO0jxBNMIiopNSlMDE+k3nigWHuavt9LUUCOd45aw7 0pgKstQQgpFfVAwV98LPpUKxa61q6wQiQHAcP7YxuQG0dsr4nUq2xids5l1IpOLzZJ3nRThM k7alkljBbqphbocV3FsSXOkpcSWns94k1QGmrPzEPLF0FHFBG6whWoaoEySMkdsN1zVu4GMU o2EAEQEAAYkCJQQYAQoADwUCKEb3OgIbDAUJNXc1AAAKCRCiYH9hY4dASzTaEACKXVgc8KmZ xWyYTUQgIwrj3J/re68uIilq0iBBDocgEZZpxyf6lD1V3IKBjAPpWyYHMrrrLY64rFDR+8DE Xyhm1Wv2S6YJuWJtyAlS4bciXjJE6evirIH5GoFq++vzsufRaudAoQ56hJ0+Z3dNMMWZ6YuP zWNNL2tvpdo3Nvd8bqiADWSffFdIPv5Yj/mZsXmaDN+7iWYlAdCrubGyGzFHlCh26Ghu6SS0 /u8x1/Oi7ma7fUMFnEsFiYjwBkD3pQKK1dm7j2f1OMxi8uky8vgBgx40aeJkoUgEvIHWsCIi CWVTyfiGeWIcKbK7tYP5jsjV5fUv+TaQ1pApt++Pyop1aogfQ8icNBQQkdX6E4gNhnPOPTM8 FTl69Tq5Ori5+TM8VM0iPGiydlcAXIAD3OyR4tZM12Ga1AtppKjx31EyDB4SPzUmDWRy5WgG NRH3+RgiK/iXVcvLdFIKj3/AvctSLdbayyaFD8zrE/wcMzLfie+iE231+rG/7gmcR3H1rcYE vxvmWAPikLQKiMUpPBNSvfLPUTrwNSGiZ5ieAAPgOooc3u5nohwZmEW1pg6HirZgIAgAYuyL aLgnikwH70guiQ4Ufsih3gy0ddsUwliUTtbYQyX0OBQoTUyaiXPy0Wu2FJfsxiW8X9Lu9pIH KOwU9K76VKot+UikGqeFQsS/Ig== =M+du -----END PGP PUBLIC KEY BLOCK-----

1 0

"Because really, this is a film about America, and how the foreign policies of the Western world reflect a notion that we're above the law."
by coderman 24 Feb '16

24 Feb '16

http://www.rollingstone.com/movies/news/mexican-cartels-and-wet-willies-the… Mexican Cartels and Wet Willies: The Story Behind 'Sicario' Benicio Del Toro and Emily Blunt on their War-on-Drugs thriller: "This is not a Mexico problem, it's an 'everybody' problem" By David Fear September 28, 2015 If you want to get Benicio Del Toro riled up, bring up the subject of revenge. It's not like you won't get a passionate reaction out of the sleepy-eyed actor over a variety of different topics — say, representations of Mexico in Hollywood moviemaking, or why a minimalistic approach to acting is often more effective, or his skill in giving "Wet Willies" (more on that in a bit). But when the subject of vengeance comes up in regards to his new movie, the drug-cartel thriller Sicario (playing in select theaters now and opening nationwide on October 2nd), Del Toro suddenly sits up very straight on the couch in his Toronto hotel room. He stops staring at the ceiling, locks in and becomes completely engaged, intensely so. "What's that old saying about taking the eye-for-an-eye thing to its logical extreme," the actor asks rhetorically. "Everybody goes blind. There are folks who'll watch this movie and go" — he adopts a John Wayne voice — "'This is how you do it.' That's what the film is asking here: What side are you on? Do you follow the rules of engagement, or do you embrace vigilantism, because you think that's the only way to get things done?" Del Toro jerks a thumb at his costar Emily Blunt, who's lounging on the sofa next to him, nodding. "Me, I belong to her character's side of the equation. There has to be law and order. Or else you're fucked, man." That metaphorical dish best served cold is embedded into Sicario's genetic make-up from the very first set piece, in which Blunt's F.B.I. agent watches her kidnap-response team get taken out by a booby-trapped house. The promise of revenge is how she's recruited to join a special-ops task force run by a fratboy intelligence spook, played by Josh Brolin as a human shit-eating-grin — and why she finds herself paired with Del Toro's mystery man, who's also motivated by the promise of payback. (The actor has said in previous interviews that after playing everything from a cop to Pablo Escobar in drug-war flicks, the chance to explore "the angle of revenge" was partially what attracted him to the role.) And the concept of revenge has long been a recurring motif in filmmaker Denis Villenueve's work, from his breakout work Incendies (2010) to his all-star meditation on retribution, Prisoners (2013). In the French-Canadian director's eyes, however, vengeance was just one of the things about actor-turned screenwriter Taylor Sheridan's script that made him sign on immediately. "The movie addresses what's happening in Mexico right now, sure," he says, sitting down next to his stars. "But it could have been set in the Middle East or Africa. Because really, this is a film about America, and how the foreign policies of the Western world reflect a notion that we're above the law. We act like the rest of the world belong to us." He pauses before adding, "I’m including my home country in this group as well; you're not off the hook, Canada. We in the West have a tendency to create chaos. And that chaos does not improve things." That chaos — or as Brolin's character refers to it in the movie, the need for America's national security agencies to "shake the tree" — is exemplified in the movie by highly questionable activities like torturing mid-level cartel lieutenants and dispatching in-house sicarios (an ancient Roman term that essentially translates as "enforcer" or "hit man") to do off-the-books dirty work. Meanwhile, drug lords are hanging mutilated bodies in the streets as warnings. "Welcome to Juarez," Blunt's character is told; forced to navigate these poles, she becomes, in the actress's words, "a moral person caught in an amoral world, where having a sense of right and wrong is considered weak instead of good." As for her tour guide, Del Toro's Colombian tough guy with a longstanding grudge and a license to kill, he's played as more of a cypher — someone who's clearly in his element when literally calling the shots during a tense firefight yet offers occasional glimpses of being more than just another cold-blooded predator. The fact that he's near-impossible to read was something Villeneuve and the actor admitted was purposeful; the latter even went so far to make him extremely lone-wolf cryptic that he kept jettisoning pages of his dialogue. "There was this big monologue that my guy had about his past ..." Del Toro says. "It was this whole speech he tells my character after he saves her life, right?" Blunt interjects. "Exactly, yeah, and it's only after he's known her for, like two days," he continues. "So I told Denis, look: In my experience, nobody opens up like that about their darkness to somebody after they've just met ... much less some guy who's a professional killer. So he let me get rid of a huge chunk of dialogue. You know how some actors count their lines?" Del Toro adopts a tone that can only be described as petulant-young-movie-star. "'He got 48 lines and I got 22 lines? Who the fuck does he think he is?' I'm the opposite of that. Give me less things to say. Let the silences say more." "Then he made me give all those lines to Josh," Villeneuve says. "'Hey, Denis, I don't want this dialogue — just, like, make Brolin do it!'" Blunt adds. "Every morning, I'd knock on Josh's trailer door, and I'd hear, 'What the fuck does Benicio not want to say today?'" the director chimes in. "He still fucking blames me!" Del Toro cries. "Clearly, there's a reason Josh isn't in this interview right now," Blunt jokes. "You'd just be moderating a fight." But the director says he tends to agree with his star on the silence-is-golden point: Filmmaking is an art form that relies more on presence than prose, he claims. And if someone can speak volumes in a glance or a gesture without saying a word — or if cinematographer Roger Deakins can suggest menace and moral ambiguity by letting the camera slowly creep-glide into a performer's personal space (what Villeneuve calls the visual equivalent of "putting pressure on your characters") — he'd much rather do that. Besides, he adds, Sicario may be a thriller, but it's also a film that deals with an ongoing issue that can't be summed up in a few climactic soliloquies. The only worry was that the lack of speechifying might lead some to think they were enforcing south-of-the-border stereotypes that have burrowed their way into pop culture. "Yeah, see, now you're talking about the tricky subject of representation — or rather, misrepresentation," Del Toro says, leaning in. "That was the last thing any of us wanted. We showed this movie to an audience the other day, and someone said during the Q&A, 'Well, now I never want to go to Mexico.'" He shakes his head. "Not every taxi driver is Travis Bickle. Not everybody in Queens acts like they're in Goodfellas, you know? Denis is right when he says the film is about America, but it does take place in country that has been portrayed recently in a very negative way. Then you've got Donald Trump saying all this stuff about our borders …" "You don't want to suggest that Mexico is one huge violent wasteland," Blunt adds, "any more than you'd want people to think Donald Trump speaks for all Americans." "But there's hope, right?" Del Toro asks. "It's gotten really bad in a place like Juarez, but if you look at what happened in Bogata, Colombia … that place has turned. It had a huge problem and it's gotten a little bit better. I'm not a scholar on the situation, by any means — but from what I understand, people just had enough. They came out and demanded that somebody do something about it. The musician Rubén Blades wrote this letter after what happened in Iguala, Guerrero, when 43 students disappeared. Apparently, there was a connection between the government, the police department and the drug cartels that caused this to happen. And he said something along the lines of: This is not a "Mexico" problem. It’s an "everybody" problem. This isn't a political movie. But we have to make this problem stop." Villeneuve and his stars are about to leave to introduce the film's North American premiere at the Toronto International Film Festival when the subject of Del Toro's impromptu interrogation techniques comes up — specifically, whether a scene involving his character wetting his index finger than sticking it deep into a criminal's ear — was improvised. "Was the 'Wet Willie' bit improvised," Del Toro says scratching his chin. "What's a Wet Willie?" Villenueve asks. "Oh, he just went around the set giving those to everyone," Blunt says. "That's how Emily and I got to be such close friends," Del Toro jokes, before he and Blunt start giving each other ice-cold stares. "I'll get you for saying that," she adds, before the three them break and start cracking up.

1 0

Hacking Team child porn code
by Douglas Lucas 24 Feb '16

24 Feb '16

@OpDeathEatersUS on Twitter says - https://twitter.com/OpDeathEatersUS/status/619267423749828608 - that Hacking Team sells child porn evidence fabrication tools, and cites this code - https://github.com/hackedteam/rcs-common/blob/master/lib/rcs-common/evidenc… - in support of the claim. Can someone more programming-proficient than I look at the code and tell me 1) what it does overall, and 2) what the highlighted line - which mentions "childporn.avi" and "pedoporno.mpg" - does in particular? Here's some background: http://arstechnica.com/security/2015/07/massive-leak-reveals-hacking-teams-… http://www.wired.com/2015/07/fbi-spent-775k-hacking-teams-spy-tools-since-2… >From the Ars Technica article: === According to one spreadsheet first reported by Wired, the FBI paid Hacking Team more than $773,226.64 since 2011 for services related to the Hacking Team product known as "Remote Control Service," which is also marketed under the name "Galileo." One spreadsheet column listed simply as "Exploit" is marked "yes" for a sale in 2012, an indication Hacking Group may have bundled some sort of attack code that remotely hijacked targets' computers or phones. Previously, the FBI has been known to have wielded a Firefox exploit to decloak child pornography suspects using Tor. Security researchers have also scoured leaked Hacking Team source code for suspicious behavior. Among the findings, the embedding of references to child porn in code related to the Galileo. === Thanks, Douglas

6 8

Goodternets, Badternets, Mediocrinets... [was Re: [Fwd: Multiple Internets]]]
by coderman 24 Feb '16

24 Feb '16

On 2/9/16, Ted Smith <tedks(a)riseup.net> wrote: > In an effort to re-seed discussion about cypherpunk topics I'll be > reposting old threads from the cypherpunks list in a rough "this day in > cpunks" effort. > > In this mail, John Young analyzes the subclasses of "the internet" as a > user might see. while i applaud your efforts, i disagree with your presumption to be able to surmize from the rants of John Young, what John Young was intending to say to an audience, rather than what he was evoking as reaction to the content of the message so presented to same audience. nevertheless, > -------- Forwarded Message -------- >> From: John Young <jya(a)pipeline.com> >> ... >> I agree, but I think it's highlighting an underlying issue that we've >> been letting the wrong sort of people on the internet for a long time. here is the crux of the issue! and i agree whole heartedly. the problem with the internets, is the earth humans let upon it. and in the best of the best of exclusive internets, it is the choice earth humans who make it all worthwhile. best regards, to all earth humans - poor, mediocre, and excellent alike!

1 0

Global Governments To Kill Cash
by grarpamp 24 Feb '16

24 Feb '16

http://yro.slashdot.org/story/16/02/23/0057224/its-time-to-kill-the-100-bil…

1 0

Apple Vs FBI: We tried to help the FBI but someone changed phone's iCloud password
by Rayzer 23 Feb '16

23 Feb '16

Transliteration... The feds tampered with the phone and apparently fucked up their own investigation. > The idea was to force the iPhone 5C to auto-backup to Farookâs > iCloud account. With a legal court order, Apple can and does turn over > iCloud data. For some reason, Farook had not backed up the phone for > roughly six weeks prior to the attack. The executive said Apple does > not know whether the auto-backup was disabled or enabled, but he did > say that the previous iCloud backups, which were handed over to > investigators, were sporadic. > > Apple suggested that the FBI take the iPhone 5C, plug it into a wall, > connect it to a known Wi-Fi network and leave it overnight. The FBI > took the phone to the San Bernardino County Health Department, where > Farook worked prior to the December 2, 2015 attack. > > When that attempt did not work, Apple was mystified, but soon found > out that the Apple ID account password had been changed shortly after > the phone was in the custody of law enforcement, possibly by someone > from the county health department. With no way to enter the new > password on the locked phone, even attempting an auto-backup was > impossible. Had this iCloud auto-backup method actually functioned, > Apple would have been easily able to assist the FBI with its > investigation. > > The executive only revealed this detail to reporters now because it > had thought it was under a confidentiality agreement with the > government. Apple seems to believe this agreement is now void since > the government brought it up in a public court filing. > http://arstechnica.com/tech-policy/2016/02/apple-we-tried-to-help-fbi-terro… -- RR "Through counter-intelligence it should be possible to pinpoint potential trouble-makers ... And neutralize them, neutralize them, neutralize them"

4 5

Apple versus Open Fabs
by grarpamp 23 Feb '16

23 Feb '16

On 2/19/16, Tamzen Cannoy <tamzen(a)cannoy.org> wrote: > http://www.macrumors.com/2016/02/19/apple-government-changed-apple-id-passw… " The executives said the company had been in regular discussions with the government since early January, and that it proposed four different ways to recover the information the government is interested in without building a back door. Apple sent engineers to try that method, the executives said " You don't want your secure hardware provider voluntarily "discussing" "proposing" "recovering" "sending" or "trying" anything in the "interests" of, or with, your adversary. If there was no court order for this... this is very troubling... never talk to the <adversary>, only to your client. Nor do you want your secure hardware provider to be providing you with unverifiable, therefore quite possibly, junk. You need open fabs producing open hardware. Till then the only proof you have is that some adversaries court case failed in its attack or that everyone is still standing. Neither of which are sufficiently complete proofs positive.

2 2

FBI/Marshall's social media spying tool...
by Michael Best 23 Feb '16

23 Feb '16

...sucks. At least SocioSpyder <http://www.sociospyder.com/> one does. (I've seen and used better open source and pro but unclassified systems. Classified ones are probably better.) "And all of SocioSpyder's functionality can probably be whipped up with a few elegant Python scripts. " http://motherboard.vice.com/read/sociospyder-the-tool-bought-by-the-fbi-to-… Enjoy laughing at their software and figuring out how the worthwhile code would improve on it in terms of functionality and how you would red team it. (If you want to implement your red team plan then oh no I can't stop you... ^-^ ) -- Veritas aequitas liberabit vos Veri universum vici That 1 Archive <http://that1archive.neocities.org/> @NatSecGeek <https://twitter.com/NatSecGeek> -----BEGIN PGP PUBLIC KEY BLOCK----- Version: SKS 1.1.5 Comment: Hostname: pgp.mit.edu mQINBChG9zoBEADKzALG4UHCjY6L9OFUxWRVGGCW7LY71K2EAK/0jkRh1wPkJ4chPaVJ3vVD nJ0d8HxsyR5R3+y7GH6GCc/tK0IDPJah+xpQnraS1nWUvAlSaaxsBK4hJfuVGyfBg/joQVKU OhpqJLQhRIkUWk30QC94IbOKiCTb6V4pStLYyrLieewjT481vvRIYp/48IS5eiveZW0/IpcA HBON7xJw6P1murC8PNOJSWRCp9FJhcs3wIPG3cFTfsxSZnGcoivMgFLtGAfLbztpZkcHEMOR 4qamVvirzYGHma0UlOzyNr7xpxyLXFsU5kKzQ8Az2nP1GG7vuqXSjPNLIvvHFL+g+gKuCe9W xTa9Ac038RRSiBGdDrvTFpQ/h9h5GWIHP7nsA4TCeZSpL81aqp7Cb0MK3KPQmteTPIujVCnx jXXHrOe9Tj6iYUU8edApISyBEVFZMd+EtfDEDf/ZwDjzSGE85vv1dZ/ck7iJvS8FwM8hsRBG U9huCKiItGs26teUJ2Sum49YaEiDL4QLQhJ+FbsAusxJg+V3GE/4w75K/6/czT0p10Mf66Uo fRFTvYRE7S6CNDxzTI4q7+pnRlxMBduGC33KY4eq4Py/O3LWHBDxZ+LffIa/tWcB/7oZ6yDo bdWleNk5wnJdPGr6lUTHTM4tpDIEcXYpvjzyLcMtg4tFm/Dc0QARAQABtGVNaWNoYWVsIEJl c3QgKFByaXZhdGUsIG5vdCBzZWN1cmUuIEZvciBzZWN1cmUgZW1haWwsIHJlcXVlc3QgYSBv bmUtdGltZSBrZXkuKSA8dGhlbWlrZWJlc3RAZ21haWwuY29tPokCPQQTAQoAJwUCKEb3OgIb AwUJNXc1AAULCQgHAwUVCgkICwUWAgMBAAIeAQIXgAAKCRCiYH9hY4dAS3e+D/sFwyJER4/4 ZnHYC/1EzCpHeDikSmULEgsvNgzo73thOV9/Q2I8mCJTlQjsK4rZ2YiDzi4b0CN8kzjpxtVz BsBsxfyPLrdH4VoqeqeBVzbwHxSk7bYUI3vFt+e3gBgpAxbVfPXCnYUnWPRlr9dc/JZoPJH4 p8yRIqktehbAE3Fa3gkfrXJ5e6+/nKlQhikyvo9VuErrLpPMXBzOq4/2LVfurkcOzlp1RBjs hWr6B98EiOXs44ZGLEkINxJiW8koFhw/WDuON8LKi/DtLiqqtBVTjrkqKCuKzSAVncGGcEVO 3Om3aOIOvG0do/wQKYXnpbeGsHwx2PGrJ7H+lb2bIb5KhbZkbG4rMTjsVnuGN+IF4BxBhmGz MYoooWy4VCLL0o8keomU8JPXt+fZDqJ9sNjY/asTsjOa6aE3bIa6w3mWUeefGwA25oXur3Rr L3wmu1pPzCejumfA1X93dS9UZS3xni+7W34g6YbsREuaZ+YBxFLN227JXAx2pEdjLsuVOaqM 9CO7ARHsxDZoE9U7n0s3txnSw/2YYwjEK1wDhdLnHBL3ZzaAcaHnpzsTYQAVW7uXKKHhzeSK GP3O4ByCisM/7WLFvIIpaNNs85jI1PvKH0GutSTl9xXDfWuYMl9rwwbteBB/oGSxlIFe0pqq IDNfAJdR/HjTLqrTES2wdXJS1bkCDQQoRvc6ARAAmltXrhVfpePdIFrfEHCet4nkQvmRI+AX rUgiNlxQDW8M5FzlUfT2xpMXHMWuKehTYpFq7bNbFi+fwBhMajgvgDsTuLInftKSFp+sisbR n8psv7CpGB4jp0Xd4y1Wm/HejV/kga0kcUVVetaqyzgZedn1UnccQRzDBVWW2j2ed+hi/8g0 /d7mbVG81yzJo8tLidM90xFF7JGlijm0dBAqmhD4UgkxSnJQ3PK5onqdjdbx7HkP68RrkeTQ vhWK1978qzdSl9ljJ0jLnoAaDNPs5Dj/TyYCtqoKHUqMbTwU5nIQnJG7geMeSw/7OVnKlypF Rs/JesZzMBooZTRxZJuIB/q0wOfE/MYTwGSwLs2brUwJFJ6bSYmerZ+81S8W/Y4mehJ3o6Vl SabrrVN+LlBfUuRqd5U909WECzk6HVnwnRfL07zD+1y5cLU+e4MQs2227kLriTIxtDZ/umeG hKQgNgFGTAPHJxA96xGvQ8Ovv+XEivlO0jxBNMIiopNSlMDE+k3nigWHuavt9LUUCOd45aw7 0pgKstQQgpFfVAwV98LPpUKxa61q6wQiQHAcP7YxuQG0dsr4nUq2xids5l1IpOLzZJ3nRThM k7alkljBbqphbocV3FsSXOkpcSWns94k1QGmrPzEPLF0FHFBG6whWoaoEySMkdsN1zVu4GMU o2EAEQEAAYkCJQQYAQoADwUCKEb3OgIbDAUJNXc1AAAKCRCiYH9hY4dASzTaEACKXVgc8KmZ xWyYTUQgIwrj3J/re68uIilq0iBBDocgEZZpxyf6lD1V3IKBjAPpWyYHMrrrLY64rFDR+8DE Xyhm1Wv2S6YJuWJtyAlS4bciXjJE6evirIH5GoFq++vzsufRaudAoQ56hJ0+Z3dNMMWZ6YuP zWNNL2tvpdo3Nvd8bqiADWSffFdIPv5Yj/mZsXmaDN+7iWYlAdCrubGyGzFHlCh26Ghu6SS0 /u8x1/Oi7ma7fUMFnEsFiYjwBkD3pQKK1dm7j2f1OMxi8uky8vgBgx40aeJkoUgEvIHWsCIi CWVTyfiGeWIcKbK7tYP5jsjV5fUv+TaQ1pApt++Pyop1aogfQ8icNBQQkdX6E4gNhnPOPTM8 FTl69Tq5Ori5+TM8VM0iPGiydlcAXIAD3OyR4tZM12Ga1AtppKjx31EyDB4SPzUmDWRy5WgG NRH3+RgiK/iXVcvLdFIKj3/AvctSLdbayyaFD8zrE/wcMzLfie+iE231+rG/7gmcR3H1rcYE vxvmWAPikLQKiMUpPBNSvfLPUTrwNSGiZ5ieAAPgOooc3u5nohwZmEW1pg6HirZgIAgAYuyL aLgnikwH70guiQ4Ufsih3gy0ddsUwliUTtbYQyX0OBQoTUyaiXPy0Wu2FJfsxiW8X9Lu9pIH KOwU9K76VKot+UikGqeFQsS/Ig== =M+du -----END PGP PUBLIC KEY BLOCK-----

1 0

Future Leak Facilitatings ... [was: Crypto Beguilement]
by coderman 22 Feb '16

22 Feb '16

On 2/22/16, Zenaan Harkness <zen(a)freedbms.net> wrote: > ... > For all the publicity, actual release of relevant info from Snowden > cache seems to have been quite the failure. > > Do we have a protocol for future leakers? future(current) leakers are building covert duplex channels direct to NSANet & JWICS :P much preferred for tactical sunlight! best regards,

2 3

Cryptomes searing critique of Snowden Inc.
by John Young 22 Feb '16

22 Feb '16

Cryptome's searing critique of Snowden Inc. http://timshorrock.com/?p=2354 https://soundcloud.com/rebootfm/interview-with-cryptome-2016-02-06

6 14