Stego in Jazz?...The Miles Files
Timothy C. May
tcmay at netcom.com
Sat Mar 5 10:58:41 PST 1994
Straightahead jazz fans take note! More significant bits follow:
* Critics who claim jazz = noise now will understand that jazz evolved
in the 1940s as a stego method for communicating with agents in the
field.
* Hitler was right in suspecting "that Negro music."
* Agent Parker developed method of putting signals in Bird calls, with
great sax appeal.
* Unveiling below of "crypto-jazz" movement. Cryptids are spreading
the PGP word. Jazz raves to be the Next Big Thing.
From: esharp at panix.com (Elliot Sharp)
Newsgroups: rec.music.bluenote
Subject: crypto-jazz
Date: 3 Mar 1994 12:10:51 -0500
Organization: PANIX Public Access Internet and Unix, NYC
Message-ID: <2l55mr$b5s at panix.com>
Summary: a night of
Keywords: Sharp,Ribot,Berne
on Tuesday, March 15, the Cooler (416 W. 14, NYC) will present a
night of crypto-jazz with:
10 pm Elliott Sharp's THE CRYPTIDS (Sharp-reeds, guitar w/
Reuben Radding-bass, David Gould-drums)
11 pm Marc Ribot - solo guitar
12 am Tim Berne's BLOODCOUNT (Berne-reeds with quartet)
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